Graphic Ladies!?
Graphic Ladies features the work of ladies who create and critique comics. We also tweet!
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"Sometimes a character feels at odds with the fictional world that houses her. I wish I liked Wonder Woman as much as I like Wonder Woman. I’d like to enjoy the super-heroine’s pluck and good cheer as much as I do her robust curves and lustrous black hair. Does this make me a bad feminist? Maybe."
"It is often said offhandedly that there is “manga for everyone,” but until recently, that was largely not true in English. There was manga for everyone if by “everyone” you meant everyone 12-18 years old or so. Now that the manga bubble has burst, manga publishers, searching for an audience that actually has money to spend on books – and prefers books to downloads – have stumbled on the niche adult manga market. Which means we’re actually getting manga these days more suited to adult tastes. Today we’re talking four food and drink manga that can help train your mind and palate and give you an instant one-upsmanship with your non-manga-reading foodie friends. Welcome to Pretentious Gittery in Food and Drink the Manga Way."
"A month ago, opening Habibi on the long bus ride back from SPX, I was more than baffled. It was, after all, an Orientalist book. But Habibi—even for a decades-spanning romantic epic—followed a shocking amount of familiar tropes from American melodrama."
"Here is what I want my students to get from The Boondocks: Aaron McGruder employs visual racial hyperbole as the foundation of his satire–we are confronted visually with racial stereotypes (the hood rat, the black militant, the Uncle Tom, the ditzy white girl, the confused biracial girl, etc.) that are then used to simultaneously deconstruct white supremacy and lampoon the absurdity of American racial thinking."
Anja Flower has two great pieces up at Hooded Utilitarian that explore the “intersection of queer genders and sexualities with comics and related media, including in my personal life.”
"Blanchet’s images accurately represent the contradiction in the dream of mid-century modernism – nature and technology – but it mostly pins the ominousness of progress to the Deco aesthetic and lets Populuxe off the hook."